Wind back a couple of weeks. I'm on stage practising a fight scene. I'm not happy. Just as I think my partner and I have got the moves right, the director, other cast members and crew complain that it's not realistic enough. We're going through the motions and it looks fake. I am not the psychopathic murderous bastard that I'm supposed to be. While my character may come across as a cuddly bear, I - actor Martin Foreman - am in a foul mood. I've had enough of this production and I want to chuck it in. But of course I have to be professional. I have to stay. A new fight scene is choreographed. I don't think it's an improvement, but what do I know or care? Let's get it over with. Let me get home.
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Dress and tech rehearsals come and go. I have had a tension headache for days. I'm aware of a dull pain in the chest that I am sure is stress-related. I am desperate for this show to come and go, so that I can get back my life and relax again. I remind myself that I have, for better or for worse, put myself through this situation several times before. In the early performances of The Lower Depths, my heart would continuously thump fast and loud before I stepped onto the stage. I only appeared briefly in two scenes of As You Like It but I felt stupid and out of my depth. And in several of the short films I have made I have worried that I was acting a fool instead of acting a part.
So why, I wonder, am I acting at all? If I have to spend weeks in a foul temper for the sake of forty minutes of pleasure, what am I doing here? What is the point? Shouldn't I think before I act - think before I take the decision to act?
To be continued...
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