Oil on canvas, 1740-1750. The Tate Gallery, London
Wednesday, 9 November 2011
She Liked It
Last Saturday's audition is in the process of turning into my first paid (well, profit-share) performance. I apparently redeemed myself after my initial disatrous presentation of Shylock's speech and impressed Ms Marianna Vogt (for 'tis she the producer / director) with my Oliver and Corin. As the result of which I have been offered, and I have accepted, two small parts in Ms V's upcoming production of As You Like It. I initially demurred at the role of Charles the Wrestler, on the grounds that my bones are too old to be thrown to the ground each night, but Ms V assured me that no real wrestling was involved. And if I survive the play's first act, I am resurrected in the final scene to be Jaques de Boys. This Jaques, who is not to be confused with Melancholy Jaques, an important denizen of the Forest of Arden, gets to make one stirring speech. Let's hope I don't make a hash of it...
Francis Hayman, "The Wrestling Scene from 'As You Like It'."
Oil on canvas, 1740-1750. The Tate Gallery, London
Oil on canvas, 1740-1750. The Tate Gallery, London
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